Texas Frightmare 2017: Online Release (Part 1)

Mondo will be releasing the first round of products remaining from last weekend’s Texas Frightmare Weekend. On sale Thursday, May 11th at a random time HERE.

Phenomena by Jessica Seamans. 18″x24″ screen print. Hand numbered. Edition of 225. Printed by D&L Screenprinting. $45

Phenomena (Variant) by Jessica Seamans. 18″x24″ screen print. Hand numbered. Edition of 125. Printed by D&L Screenprinting. $65

Wes Craven’s New Nightmare by Mike Saputo. 24″x36″ screen print. Hand numbered. Edition of 275. Printed by D&L Screenprinting. $50

Friday the 13th Part 3 by Gary Pullin. 18″x24″ screen print. Hand numbered. Edition of 250. Printed by D&L Screenprinting. $45

“The Wolfman” and “The Phantom of the Opera” by Flynn Prejean

The Lon Chaney estate and BadMoon Studios has reached an agreement to license art prints commemorating the Wolfman (1941) and The Phantom of the Opera (1925).
3 versions of each poster has been produced: A full-color edition, a b&w & a combo edition. Each edition is limited to 100 pieces each – hand signed and numbered by Flynn Prejean.

These are giclee prints measuring 20″ x 36″ on hot press natural, museum quality paper, printed with ultra-chrome, archival ink. On sale now HERE.

“The Phantom of the Opera” by Flynn Prejean. 20″ x 36″ Giclee. Ed of 100 S/N. $100 (Full color)

“The Wolfman” by Flynn Prejean. 20″ x 36″ Giclee. Ed of 100 S/N. $100 (Full color)

“Welcome Visitor” by Shepard Fairey

Shepard Fairey will have a new diptych print titled, “Welcome Visitor” available soon. On sale Tuesday, May 9th at 10am PDT HERE.

“Welcome Visitor” by Shepard Fairey. (2) 18″ x 24″ Screenprints. Ed of 450 S/N. $90

The “Welcome Visitor” diptych is an exploration of the contradictions between America’s tourism industry and it’s immigration policies; the uncomfortable collision of economic opportunism and xenophobia. We’ve probably all seen the Schoolhouse Rock! about Ellis Island and “The Great American Melting Pot,” but we’re now witnessing the fear surrounding the scapegoating of Latinos and Muslims.

In “Welcome Visitor,” I highlight the immigration ban and internment of Japanese people including Japanese-American citizens during World War II when the Japanese were seen as the enemy. I hope that the level of relative comfort most people feel towards Japanese people presently puts in perspective the irrational and disproportionate fear of Muslims and Latinos that is going on now.

I understand that immigration is a complex issue, but a basic belief in the humanity and dignity of all people is not that complicated and should be what is paramount in deciding our policies around both immigration and tourism.

The fear around immigration is not based on fact. Crime rates are lower for immigrants than they are for native-born citizens. – Shepard Fairey