Hellboy inspired prints are now available via New Flesh. On sale now HERE.
Tag Archives: N.E.
“Das Cabinet des Dr. Caligari” by N.E.
“CE3K” by NE
NE’s “Close Encounters of the Third Kind” movie poster is now available. It was created for the Eugene Film Society screening of the film in conjunction with Blunt Graffix. It is an 18″ x 24″ 5-color Screenprint, signed/numbered edition of 50, and cost $35.
On sale now HERE.
“I Am the Mountain, the Forest and the Earth” by N.E.
N.E. will have a new Pan’s Labyrinth inspired print available soon via Bottleneck Gallery. It is an 18″ x 24″ Screenprint available in regular and variant editions.
On sale Thursday, June 4th at 12pm Eastern (9am PDT) HERE.
“Deep Space” by N.E. (1st Edition)
“Conflict” by N.E.
“Conflict” by NE. Officially licensed by Lucasfilm. The screen print is 18″ x 24″ and features silver metallic ink. Signed and numbered from an edition of 100, it also comes with COA from Bottleneck Gallery and Acme Archives.
On sale Friday, March 20th at 12pm Eastern (9am PDT) HERE.
“Ready for a Bit of the Old Ultra-Violence” by New Flesh
“The Jaguar Shark” by NE
“космонавт Jonesy (Red)” by N.E.
“The Exorcist” by N.E.
N.E. of New Flesh will have “The Exorcist” prints available soon. It is an 18″ x 24″ 8-layer (1 metallic) Screenprint with regular and variant editions. See pics below for details.
On sale Tuesday, October 29th at a random time HERE.
“About a year ago I was commissioned to create a poster to commemorate the movie The Exorcist. The 40th anniversary was coming up and it was going to be a nice thing to celebrate the film.
The Exorcist, while being one of the scariest films of all time, is ultimately about a priest’s crisis of faith, guilt, and ability to fight and a very personal spiritual battle. I tried to convey this emotion and intensity with contrast and oppressive shadows in the illustration. By using a more stark composition, I hope to achieve a singular or at least striking image.
In the end, the print was approved and given the go ahead to be printed by the film’s director William Friedkin. I was floored when he also generously offered to sign the variant run.” – N.E.